Masterclass in Children’s Book Illustration
With Alexis Deacon
5 April - 8 April
During this four day masterclass you will be guided by award winning illustrator Alexis Deacon as we cover the fundamental building blocks of children’s illustration. Taking you from first concepts to a finished image, the masterclass will focus particularly on creating simple and engaging characters and making work that is emotionally authentic and accessible to all.
Over the four days you will learn:
- The need to keep things simple and how to do it.
- The materials common to Children’s book Illustration and how to use them so that they can become as unique as your handwriting or voice.
- How to compose a picture and make priorities whilst being free with your choices and use one element to support another in your designs.
- How to plan a sequence of pictures that tell a consistent story across the pages.
- How to make a ‘finished’ illustration and take the appropriate steps to get your work published.
Alexis will be sharing his expert knowledge with you along the way and be encouraging you to share your work with the rest of the group for peer feedback and review.
Accommodation can be provided with this course making this a fully immersive learning experience and giving you the time and space to develop a new peer network.
If you do choose to stay with us a bespoke evening meal as well as breakfast and lunch will also be provided.
We have also set up a payment plan, so that you can spread the cost of the sessions over the next 4 months. You will find the option for doing this as you enter the checkout page.
Graduating from the University of Brighton in 2001, where he studied Illustration, his first book, Slow Loris was published in 2002 and was shortlisted for the Blue Peter Book Award.
His picture books include the award-winning A Place to Call Home and in 2008 he was chosen by Booktrust as one of the ten best new illustrators of the preceding decade. In 2014 The River won the Observer/Jonathan Cape/Comica Graphic Short Story Prize. In 2015 it was named one of the hundred best children's books of all time by Time Magazine. He has twice been shortlisted for the Kate Greenaway Medal and is a two time recipient of The New York Times Best Illustrated Children's Books Award, including for Beegu.
Enough is Enough, Keeping it Simple, Keeping it Honest. Alexis will introduce you to his work and what you will be covering over the next 4 days. We start things off by discussing the need to keep things simple, which begins with a morning session using collage and gouache to explore how to simplify concepts and communicate through flat colour shapes. After lunch you will be encouraged to refine some of your designs into specific characters. As well as drawing on our own history and personal experience we will learn to use the world around us when searching for new ideas.
Your Nose is Smiling, Gesture and Expression. During this morning workshop of the second day we will explore some of the materials common to the Children’s book Illustration such as watercolour, gouache and acrylic paint, ink, pencil and charcoal. We will look at how each material brings its own possibility and how the way we choose to use them can become as unique as our handwriting or voice. One of the most important skills of the children’s illustrator is to learn to communicate gesture and action through our characters. After lunch we will look at how to break this complex task down so that it can be approached by anyone, no matter how long you have been drawing.
The Hills are Alive, Pictures that Tell Stories. On this third day we will begin to look at the illustration as a whole. We will start to learn how to compose a picture, how to make priorities, be free with your choices and use one element to support another in your designs. After lunch you will be working with a text. Each student will be given a text from a published children’s book with the illustration removed. We will look at how to plan a sequence of pictures that tell a consistent story across the pages.
Crossing the Line, How to Finish a Project. On this final day we start by taking one of our rough drawings from the previous afternoon and will make a ‘finished’ illustration. We will learn how to value communication to an audience above a perfect surface or polished technique. We will learn ways to tell when an image is completed and how to keep images consistent when working on whole books. After lunch, we share in our conclusions, and discuss storytelling and ‘exhibition’ of our work over the course.
This would be suitable for those with an interest in illustrating a children’s book, with some experience/knowledge of illustration and a desire to improve/tailor their portfolio towards this goal and gain industry advice. Whilst the techniques described in the workshops are hard to master, they are easy to explain to anyone, even with no previous illustration experience. There will be very little technical jargon and any that is used will be explained during the course
You will receive a sketchbook as part of this course and we will be providing a variety of materials for you to experiment with during your time here. if you have your own sketchbooks, paper or drawing materials, please bring them also as it is useful to have options to work with.
Yes! We provide refreshments throughout the day and a home-cooked lunch which is freshly prepared in our Granary kitchen. Lunch is served around our communal dining table, offering you a great chance to get to know everyone on the course and share in the making processes you have been developing throughout the day. Please advise us of any dietary requirements before arrival.
Yes! All of our bedrooms here at Clayhill are en-suite so you will have your own private space to retreat to and relax in after spending your day in the meditative space of the Studio. We provide you with your own towels and bathroom products for use throughout your stay and you can enjoy the extensive grounds well into the evening. If you do choose to stay with us a bespoke evening meal as well as breakfast and lunch will also be provided.
We offer Gift Vouchers for use with our courses and events.
Working with Deborah and Michael was such a pleasure. They understood the project from the beginning, what the needs of the makers and our audiences would be, and acted as thoughtful ambassadors for the project when we were not able to be there. Every aspect of the exhibition and events was facilitated in such a calm and confident manner, which made my job of coordinating a group of artists so much easier! The whole event became a pivotal moment for the project, bringing people together in a way I could never have anticipated, and which has altered my thinking about the future of the project. Thank you for making us feel so welcome.
The weekend I spent at Clayhill Arts was a very welcome change of scenery to my otherwise urban setting. I felt calmed yet invigorated by the surroundings, and the accommodation was beautifully tasteful and very homely. The main space is wonderfully considered and very versatile - an ideal space for creativity and dynamic discussion. I left on the Sunday feeling energised and inspired by the experience of staying at Clayhill.
As a singer it has been one of the best spaces to sing in with generous reverberation and acoustics. It is a space which complemented the type of instruments I was working with and the songs.
I just wanted to say how much I enjoyed being at your venue. It is a lovely and inspiring artistic space. The food was fantastic, homely yet unusual. I really enjoyed the day.
As an artist retreat, the venue at Clayhill Arts provided a warm and welcoming environment, allowing a safe and constructive space where individuals creative needs can be met.
We were lucky enough to be able to take over the whole venue for a weekend, using the Granary as our base for experimentation, discussion and shared learning. The informality of the accommodation, and the relaxed surroundings, put everyone at ease and offered a space where cooperation and encouragement evolved naturally.
Everything was wonderful! This is a beautiful place. Thank you, we really enjoyed our stay.
Clayhill feels remote which is great but it also is close to Cannington which has everything, so supplies can be bought without travelling a great distance...I also really enjoyed that it is still a working farm, because it feels productive and there is such a lot of life around us which is very inspiring